All Marie-Guillemine Benoist's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
73615 L'innocenza tra il vizio e la virtu, L'innocenza tra il vizio e la virtu, L'innocenza tra il vizio e la virtu, olio su tela, 87 x 115 cm, collezione privata cjr
75213 Linnocenza tra il vizio e la virtu Linnocenza tra il vizio e la virtu Italiano: L'innocenza tra il vizio e la virte, olio su tela, 87 x 115 cm, collezione privata Date XVIII-XIX secolo cyf
42740 Portrait of a Black woman Portrait of a Black woman MK169 1800 oil Paint on cloth 81x65cm
42744 Portrait of a black woman Portrait of a black woman MK169 1800 oil Paint on cloth 81x65cm
76889 Portrait of a Negress Portrait of a Negress 1800(1800) Oil on canvas 65 ?? 81 cm (25.6 ?? 31.9 in) cjr
20747 Portrait of a Negress (mk05) Portrait of a Negress (mk05) Canvas 32 x 25 1/2''(81 x 65 cm)Salon of 1800 acquired in 1818 INV
76871 Portrait of Elisa Bonaparte, Grand Duchess of Tuscany. Portrait of Elisa Bonaparte, Grand Duchess of Tuscany. ca. 1805(1805) Oil on canvas 214 ?? 129 cm (84.3 ?? 50.8 in) cjr
76637 Portrait of Pauline Bonaparte Portrait of Pauline Bonaparte 1808(1808) Oil on canvas 200 ?? 142 cm (78.7 ?? 55.9 in) cjr
78525 Portrait of Pauline Bonaparte Portrait of Pauline Bonaparte 1808(1808) Medium Oil on canvas Dimensions 200 x 142 cm (78.7 x 55.9 in) cyf
Marie-Guillemine Benoist
Paris 1768-1826 was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant. Her training as an artist began in 1781 under Élisabeth Vigee Le Brun, and she entered Jacques-Louis David's atelier in 1786 along with her sister Marie-Élisabeth Laville-Leroux. The poet Charles-Albert Demoustier, who met her in 1784, was inspired by her in creating the character Émile in his work Lettres Émilie sur la mythologie (1801). In 1791 she exhibited for the first time in the Salon de Paris, displaying her mythology-inspired picture Psych faisant ses adieux sa famille. Another of her paintings of this period, L'Innocence entre la vertu et le vice, is similarly mythological and reveals her feminist interests in this picture, vice is represented by a man, although it was traditionally represented by a woman. In 1793, she married the lawyer Pierre-Vincent Benoist. Her work, reflecting the influence of Jacques-Louis David, tended increasingly toward history painting by 1795. In 1800, she exhibited Portrait d'une negresse in the Salon. Six years previously, slavery had been abolished, and this image became a symbol for women's emancipation and black people's rights. This picture was acquired by Louis XVIII for France in 1818. An important commission, for a full-length portrait of Napol on Bonaparte Premier Consul Français in this period was awarded to her in 1803. This portrait was to be sent to the city of Ghent, newly ceded to France by the Treaty of Luneville in 1801. Other honors came to her; she was awarded a Gold Medal in the Salon of 1804, and received a governmental allowance. During this time she opened an atelier for the artistic training of women. Her career was harmed by political developments, however, when her husband, the convinced royalist count Benoist, was nominated in the Conseil d'État during the post-1814 monarchy come-back called the Bourbon Restoration. . Related Artists to : | St Edmundsbury Borough Council | Pieter Vanderlyn | HALS, Frans | Robert Charles Laurens Gustave Mols | School of Fontainebleau |